Member's Spring 2025 Writing Competition
Member's Spring Writing Competition
Competition Winners
Thank you to everyone who entered the Spring 2025 Writing Competition.
Congratulations to Brenda Proudfoot, Pippa Kay, and Liza Dezfouli, whose winning entries are featured below.
Highly commended entries: Magdalena Ball and Christine Day.
1st Prize — $100
'The Glasshouse' by Brenda Proudfoot
I’d recently retired and we were downsizing. I wanted a small house with a garden. Adam craved the inner-city vibe. We’d been house hunting for months but couldn’t find a place we could agree on, let alone one we could afford.
Adam made an appointment to see a run-down terrace house he’d found on the internet. The agent told him the property was the deceased estate of an elderly spinster who’d lived in the house for decades. The executors of her will were prepared to negotiate on price—if they could get a quick sale.
I hated the house from the outset. While we waited for the agent to arrive, Adam explained that the decorative iron on the verandas had been brought out from England as ballast, then cast in an Australian foundry. This was a rare design.
Once inside the house, Adam raved about the marble fireplaces and plaster ceiling roses. I smelt the rancid stench of a corpse. I pictured the old lady’s crumpled body lying at the bottom of the stairs though I knew it was probably a dead rat in the wall.
Nothing I said could dampen Adam’s enthusiasm as we went upstairs and checked out the bedrooms. “This is the original glass in these French doors—you can tell because of the slight imperfections.” He chipped away at me like a cockie carving a hollow in a tree.
When we went out into the backyard, my foul mood began to mellow. There was an old jacaranda tree and a Victorian glasshouse. I opened the door and went in. I don’t know quite what I expected to see—orchids or begonias perhaps—but inside, a middle-aged woman was tending some unusual plants.
“Don’t mind me,” she said. “I’m here to water Aunt Edith’s collection. It would be criminal to let them all die.”
“What kind of plants are they?” I asked.
“They’re insectivorous plants. Edith spent twenty years collecting more than a hundred species.”
“Really? I thought they only grew in the tropics.”
“You’d be surprised,” she said. “There are more species in Australia than anywhere else in the world.”
I took a closer look. There were fly traps with spring-loaded hands, lidded pitcher plants filled with seductive nectar and others with glistening stamens.
“They’re fascinating, aren’t they?” Adam said. “These plants are like predatory animals, luring insects to their deaths.”
“We’ve been trying to find a new home for the collection—ideally at a botanical garden.”
“How did she find them?” asked Adam. “Did she buy them or collect them herself?”
“My aunt was an amazing lady, one of the first female botanists. When she was younger, she toured the outback, collecting insectivorous plants wherever she went.”
An idea popped into my mind. What if we became the custodians of Aunt Edith’s rare collection? It would give us the perfect excuse to go on outback adventures. Who knows? This elegant glasshouse and its carnivorous plants might be the gardening project of my dreams.
After Glenys Holmes, ‘No. 17’
2nd Prize — $75
'Dream House' by Pippa Kay
After a fairy-tale wedding my bookish boy
carried me across the threshold
to start our married life in the house
he’d furnished with his dreams.
At night in the library, books opened…
and a grinning portrait on the wall of Dorian Gray,
judged me unfairly, while Sir Galahad
unrolled his Holy Grail on our round table,
in flickering candlelight too difficult to read.
I boarded a cursed ship and killed that albatross,
in a story without end. Keat’s Grecian Urn
on the mantelpiece kept me frozen in time.
At last the morning sun lit the house
and I thought I’d escaped. But the windows
are opaque, looking inward.
I’d hoped to share his dreams.
3rd Prize — $50
'Sing-along' by Liza Dezfouli
Red wined, on my way home and a long way from my own time, I fall up the steps, ow, my knees, into the tram, and flop into a seat next to a young woman. Black hair in two pigtails frame her face. Opposite us is a young man playing a guitar; he’s wearing a brown leather jacket and a knitted beanie.
He’s serenading her softly with Bob Marley, making a public declaration; of the poetry in his own soul, no doubt. First date? Perhaps they’ve just met and happen to be taking the same tram home. He has a light tenor voice and is singing in tune, as far as I can tell, smiling between the words at the young woman, who smiles back.
But the measure of a man is in how he reacts to drunken older women. They need to be put to the test, these fellas, so the girls can see what they’re in for. I love a good sing-along; we all need cheering up, and I know Bob Marley. Well, some of the words, to some of the songs. The young man is singing One Love. I inhale a lungful of air and project.
One LOVE!
One LOVE!
LET’S GET TOGETHER AND FEEL ALRIGHT!!!!
The tram comes awake. The girl beside me shrinks, trying not to laugh. The young man wipes the startled expression off his face then looks at me steadily while he carries on singing. The expression on his face is louder than my voice; it’s asking where this is going and what can be done to stop me.
Request time.
‘No Woman, No Cry?’ He hasn’t understood or doesn’t want to. He starts on Could You Be Loved. Plenty of opportunity to harmonise on the chorus with this one, make original note choices, even go up an octave.
DON’T LET THEM CHANGE YA!
Fighting words; how we need them now. I get up from my seat and stand in the aisle, start swinging round a pole. The middle-aged couple across from me turn and look out of the window.
OR EVEN RE-ARRANGE YA! If only we’d all get up and stand up.
‘Everyone,’ I bellow. ‘Come on!’
SAY SOMETHING
In my efforts to wave up solidarity, I let go of the pole, and stagger, stumbling across the middle-aged couple. They do their best to hold me at arm’s length. They’re wearing matching shoes in the same shade of caramel; this strikes me as hilarious, and I laugh into their laps. The young woman with the pigtails jumps up and the young man does too, first placing the guitar on the seat behind him. They each take me by an arm and help me back into my seat.
SAY SOMETHING
‘Everyone? We’re just going to let the whole world go to shit. Why aren’t we saying something?’ I start to cry.
SAY SOMETHING
The young man picks up his guitar and strums a chord. We sing.
Say something.
Guidelines
Entries close 5 pm, Friday 14 November 2025
Submit your entries via the form below
The contest is for members only. Become a member
Maximum word count: 500 words (poems max 20 lines)
Max 2 submissions per member
Winners announced at the Hunter Writers’ Centre Christmas Party in December
Prizes
First Prize: $100
Second Prize: $75
Third Prize: $50
Winning entries will be published on the Hunter Writers’ Centre website.
Writing Prompts
Write a piece inspired by one of the quotes or images below
She drives home in a blur, drinks an entire bottle of red wine, throws up three times during the night and sits at her laptop on Monday morning, bleary-eyed, with a volley of stones pounding in her head.
― Natasha Rai, An Onslaught of Light
A figure approaches, slipping into the dark, muddy lane, cursing while regaining his balance. Sliding towards her, the man nudges her body with the tip of his pointed shoe.
― Madeleine Cleary, The Butterfly Woman
When the alarm goes off at 4:15am I make three coffees: one to wake myself up, one to take for work, and another to leave for my sleeping wife.
― Oceane Campbell, Labour of Love
lest bite the hand that feeds
the good must accept their fate, face fact
jump Victor, down Otto, Vladimir beg
Think paper, slipper, pipe, smell fear
haul to the park and home!
― Christopher (Kit) Kelen, ‘Dombóvár‘, 2024 Newcastle Poetry Prize Winner
All art is haunting, thinks Giacomo Franchini.
― Omar Musa, Fierceland
Finally I can admit I do not choose to have the days ahead be a mirror of the days that have passed.
I refuse this.
We all refuse this.
We shall detail the future for you so there is no misunderstanding what we have in mind
― Yumna Kassab, ‘Manifesto’, The Theory of Everything