Member's Winter 2025 Writing Cometition
Member's Winter Writing Competition
Competition Winners
Thank you to everyone who entered the Winter 2025 Writing Competition.
Congratulations to Lisa Dezfouli, Paris Rosemont, and Fiona Wallace, whose winning entries are featured below.
Highly commended entries: Kathryn Bennett and Dee Taylor.
1st Prize - $100
'Like Dolphins' by Lisa Dezfouli
I lean on the rail near the stern, entranced by the drops of water flung into the air. A line from a Jacobean play I saw once comes to me: What’s that threw sparkles in my eye? It describes this moment perfectly. To anyone watching, this scene would seem like a romantic moment: a couple of seniors on the deck of a leisure craft, caught in the golden light of sundown. Like an advertisement for a retirement fund.
‘Shoal of dolphins,’ says Kerry. ‘Look.’
‘School, not shoal.’
‘I can’t say a bloody thing without you jumping down my throat!’
He thumps his fist on the rail, punctuating the stressed syllables. As if in response, the boat lurches and rocks, and a splash of cold water slaps my face for my sins. He said ‘shoal’ deliberately, so I’d correct him. His face is tight with resentment, and he turns away. Why couldn’t I have kept my mouth shut?
One day I’ll do something to really annoy him.
Another wave, and the boat tilts sharply. My hand slides along the rail, coming to a halt at one of two red life rings attached to the rail. The impact jars my wrist.
I don’t get out often nowadays. There’s always a cost. I was having lunch with my daughter-in-law one day last year and Kerry mucked up his midday medication, took the wrong pills and sent his blood pressure through the roof. He rang me, gasping from the couch. I had to call an ambulance from the restaurant. He only ventured out today because this boat trip was a wedding anniversary gift from our son and his wife. I picture a set of twelve five bar gates carved into a cell wall.
The last time we went anywhere together, on the way to our destination, I’d needed to go to the toilet. We drove by a public toilet block, but Kerry wouldn’t stop. I was in tears. It wasn’t until I was about to wet my pants that he finally pulled over. I had to squat in the gutter behind the open passenger door and hope nobody walked past.
I go to the side of the boat and untie the red life ring from the rail; it takes some effort and my wrist twinges as I twist the rope. Water gleams on the deck. The dolphins bob smoothly up and down like horses on a fairground carousel. There are plenty of yachts on the water; they look like bunting strung across the harbour.
‘What the bloody hell are you doing?’ Kerry stamps his foot in the familiar gesture of impatience that he’s used to intimidate me for 60 years. I slip the ring over my head, quickly pull my arms through, and clamber awkwardly up onto the railing. In my mind, I hear David Bowie: Like the dolphins, like dolphins can swim. Kerry lunges but he’s nowhere quick enough, not these days.
I leap.
2nd Prize - $75
'How to Stitch a Story' by Paris Rosemont
Inspired by Judith Wright’s ‘Five Senses’
‘I am a thread. If pulled too hard, I vanish.
If ignored, I tangle.’ ~ Lygia Fagundes Telles
How to Stitch a Story
My mind clacks like fat plastic chopsticks, knitting
and purling limp noodle thoughts, hand-stretched
and elastic, woven into the cable braid of an infant
poem. Working overtime through the cold hours
of insomnia *clickety clack* *clickety clack* by dawn
I almost have a scarf to keep me warm. Feels so fur-
real I could almost scoop these thoughts like seeds
straight outta my hollowed pumpkin head and plop
them directly onto the page. Splat! But when indigo
smudges into the pastel palette of sunrise, all my care-
fully woven lines slip loose. I’d failed to bind my stitches
and they’ve unravelled into a jumbled mess of yarn.
I start again — this time with a size 60 / 8 needle
and Gütermann cotton in Oyster 021. Intricate mesh
of fine Chantilly lacework — stories scalloping under
my tongue — stitched into my skin for safe keeping.
3rd Prize - $50
'Brenda' by Fiona Wallace
Brenda was sick. I was stroking her nose and all she was doing was lying down. Her calf didn’t seem to mind, but a lot of things pass you by when you’re newborn. Besides, with me there, he probably thought everything was alright.
Mum told me that the vet would be over as soon as he could. But that could be an hour. Brenda looked enormous. If you looked closely at the pattern on her side, you could see an old man’s face laughing. The longer you looked the more you wanted to laugh too. I could’ve almost forgotten that she was sick.
‘How come he knows where to come?’ I asked.
Mr. Hodge had only lived in Wattamurra for a while. I remember Dad saying when he arrived. Dad didn’t think Mr. Hodge would be busy since everyone knew about treating their own animals. Mum had left the red car parked near the gateway and given Mr. Hodge directions. I was still worried that he would get lost at the fork in the road going to Grandma‘s, but Mum said he was used to finding his way round now. The longer we waited the more I think she wished she had let me stand by the fork in the road. Eventually we saw the blue wagon. Brenda ‘s muscles were twitching. To be honest, I was getting worried about her.
Mr. Hodge jumped out of the car and walked straight past us. He was sort of skinny and small. He started milking Brenda’s teats. Then he listened to her heart with a stethoscope.
‘How old is she?’, he asked Mum
‘Two years older than me,’ I told him. I didn’t know if he’d heard me.
‘This must be her fifth calf,’ Mum said. ‘Do you think she’s been poisoned?’
He turned around to face Mum.
‘When did you find her Mrs. Martin?’
And Mum told him how we had only missed her that afternoon and she was fine that morning just after Sesame Street. Mr Hodge brought a bucket and some bags and kneeled next to Brenda.
‘She’s got milk fever,’ he said. ‘I’ll give her some calcium and we should have her on her feet in no time.’
And that’s what happened.
Mum held Brenda‘s head while Mr. Hodge put a needle into her neck and then they connected the bag of stuff and ran it in. Mr. Hodge kept listening to her heart.
When Brenda had got up, Mum was very relieved and she wanted Mr Hodge to come for a cup of tea. Mr Hodge said he was busy but he looked pleased to be asked. Sometimes I really like my mum. Just before he left, he turned around and smiled at me.
‘What’s your name, little one?’
Next thing I knew I was swinging up in the air above his head. That’s one thing about grown-ups, they’ve got no idea about waiting to get to know a person before they get too friendly.
Guidelines
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Entries close 5 pm, Friday 25 July 2025
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Submit your entries via the form below
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The contest is for members only. Become a member
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Maximum word count: 500 words (poems max 20 lines)
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Max 2 submissions per member
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Winners announced in late August
Prizes
First Prize: $100
Second Prize: $75
Third Prize: $50
Winning entries will be published on the Hunter Writers’ Centre website.
Writing Prompts
Write a piece inspired by one of the quotes or images below
While I’m in my five senses
they send me spinning
all sounds and silences,
all shape and colour
as thread for that weaver,
whose web within me growing
follows beyond my knowing
some pattern sprung from nothing-
a rhythm that dances
and is not mine.
― Judith Wright, Five Senses
Maybe that’s what love is. Having someone who guides you through different experiences, coaxes you to try new things but still makes you feel safe.
― Wally Lamb, We Are Water
It was all over the news next day. Very satisfying.
― Peter Rodgers, ‘One Last Flirtation’, 2024 Newcastle Short Story Award Anthology
The sky
is at the river ~
a blue wren drinks.
Suddenly
a warmer afternoon ~
the taste of apricots
Children
in the sunshine ~ shadows
play on the grass.
― Mark Liston, ‘Three Haiku’, in Australian Poetry Members Journal 2014, Vol. 3
Do not define me by my gender or my socio-economic status, Noah Willis. Do not tell me who I am and do not tell me who society thinks I am and then put me in that box and expect me to stay there.
― Megan Jacobson, Yellow
Let no one say the past is dead.
The past is all about us and within.
― Oodgeroo Noonuccal, ‘The Past’
All images from the Lighthouse Arts Exhibition, Artists at Work, by the artists of Studio Time, an art group at Hudson St Hum.
Thank you for your submission!